Astral Spotlight Artist Jordan Dodson makes his Chamber Orchestra debut displaying the beauty of acoustic and electric guitar. Joining him is COP/ACF’s Steven R. Gerber Composer-in-Residence and Philadelphia Composer Andrea Clearfield as she premieres her new work for electric guitar.
A project which seeks to illuminate an important but largely neglected body of 20th- and 21st-century chamber music by American composers, with a special focus on composers with ties to Philadelphia.
To celebrate the bicentennial of Walt Whitman’s birth and his lasting contribution to American letters and song, Lyric Fest presents concerts with distinct programming of Whitman songs.
The enchanting final concert of the season, centered around a commissioned work by post-minimalist cross-culturalist, Evan Ziporyn, for string quartet and 4 gamelan players.
Philadelphia is home to a multitude of astonishingly gifted musicians and ensembles, five of whom (the Jasper Quartet and Musical Fund Society Career Advancement Winner Yang) are highlighted in this creative program dedicated to works by living female composers.
We are delighted to welcome back to our series a pianist well known for his consummate musicianship and brilliant technique. Marcantonio Barone’s recital features the world premiere of George Crumb’s Metamorphoses (Book II), a work written specifically for him that offers a broad palette of coloristic effects along with Crumb’s unmistakable musical gestures, and an inherent sense of drama coupled with a magical, suspenseful atmosphere.
Our annual concert collaboration with the esteemed Curtis Institute of Music spotlights the Curtis Chamber Orchestra with beloved Curtis alumna and violin faculty member Pamela Frank and acclaimed violist Tabea Zimmermann. This conductor-less program opens with Mozart’s magnificent Sinfonia Concertante, followed by Britten’s moving Lachrymae (based on John Dowland’s song Flow my tears) and Tchaikovsky’s beloved Serenade for Strings.
Making his eighth appearance on the PCMS stage, Grammy-winning guitarist Jason Vieaux has been lauded as “perhaps the most precise and soulful classical guitarist of his generation” (NPR). For his return to Benjamin Franklin Hall, he teams up with Clancy Newman, a cellist whose musical acumen and superb technique have been praised time and again. “Newman’s exceptional technique seeks not to scintillate but integrate” (Philadelphia Inquirer).
In its PCMS debut, the Formosa Quartet offers a concert of beloved masterworks and new musical arrangements. Dvořák’s famed “American” quartet opens the program, and Philadelphia favorite Cynthia Raim joins the ensemble to conclude the afternoon with Schumann’s fiery Piano Quintet. The “Formosa Quartet Set” includes a spontaneous combination of pieces in the spirit of world, folk, and jazz music that the musicians themselves have curated for the concert.
After her highly successful PCMS recital debut, Francesca dePasquale returns to our series with a newly-created program that combines works by Mozart, Szymanowski, and Fauré with a suite of three world premieres. Based on Pablo Neruda’s book of poetry On the Blue Shore of Silence/Poems of the Sea, all three works in the suite will be paired with visual art by Johanna Andruchovici.
